Tuesday, 25 November 2008

Goodness Gracious Me



Goodness Gracious Me
Topic: Media (TV and Radio)


Concept and Context
Goodness Gracious Me is a BBC English language sketch comedy show originally on BBC Radio 4 (1996-1998) and later televised on BBC Two (1998-2001) based on four British Asian actors: Sanjeev Bhaskar, Kulvinder Ghir, Meera Syal and Nina Wadia. In the television version most of the "white" parts are played by Dave Lamb and Fiona Allen, while in the radio version the white parts were played by the cast themselves.
The title and theme tune are based on a hit comedy song of the same title sung by Peter Sellers and Sophia Loren, in which they reprise their characters from the 1960 film The Millionairess in which Sellers played an Indian doctor and Loren his Italian patient (contrary to popular belief the song does not appear in the film). The show's signature tune is a bhangra arrangement of the song. The show's original working title was "Peter Sellers is Dead", but was changed because the cast generally liked Peter Sellers. (The character Sellers plays, although in itself a fairly crude and broad parody of an Indian man, is actually portrayed as an intelligent, diligent, professional person). In her 1996 novel Anita and Me, Syal had referred to British parodies of Asian speech as "a goodness-gracious-me accent".

It was wickedly apt for the creators of this show to choose a title so reminiscent of the stereotypical portrayal of Asians that had blighted the British media for decades. The cast casually drop Punjabi and Hindi/Urdu slang phrases into their speech, in the manner of many British Asians living in the UK.



Reactions and Evaluation, Artistic Quality and Awards
It started as a radio series and then broke out on television, with four British Asian performers (plus 'token white' Dave Lamb) taking part in sketches that managed to be bred from their own backgrounds and yet relevant and (most importantly) funny to a wider demographic.
They set their stall almost immediately with the classic "going for an English" sketch, in which a group of Asians embody the loutish behaviour of lager swilling Brits in an Indian restaurant (one diner asks for something "really bland"). They mispronounce the waiter's name, order the blandest thing from the menu (apart from one of them, who opts for the safer option of a curry) and ask for 24 plates of chips. This parodies the often-drunk English people "going out for an Indian", ordering chicken phall and too many papadums. This sketch was recently voted the 6th Greatest Comedy Sketch.
Like the best sketches, it was a simple idea done brilliantly, and their strongest ideas took Asian stereotypes but used them to illustrate comic ideas of universal appeal.
The reason it really worked through was because it was essentially an exercise in character comedy: each character strongly defined and recognizable enough not to alienate the general viewing public.
They included a man who firmly believes everything has its origins in India; Smeeta Smitten, a preening Bollywood reporter, who was instantly recognisable as an irritating embodiment of crass showbiz journalism everywhere; and best of all, the Kapoors (pronounced Coopers), social climbers who were at great pains to deny any of their heritage, desperate to be seen as 100% British.
Goodness Gracious Me had a fine ensemble cast, was generally very well written and boasted a broad range of comedy styles - TV spoofs, slapstick and catchphrases were all present and correct - whilst not shying away from satirical content.
It justly won a number of awards and stopped before it ran out of steam, allowing its core players to go on to deservedly glittering careers elsewhere.









Message to pass on
The "going for an English" sketch is often highlighted as the first time a British audience saw a parody of its own behaviour from a British Asian perspective. However some elements had been done before, including by Rowan Atkinson in his early 1980's stage show "Indian Waiter" monologue, which directly mocked such behaviour, whilst Alexei Sayle in his late 1980's TV show Stuff made a very brief hypothesis that residents of New Delhi enjoy alcoholic Friday nights out with English food.

The majority of the sketches explore the conflict and integration between traditional Indian culture and modern British life. Some reverse the roles to view the British from an Indian perspective while others poked fun at Indian stereotypes.


ANNEX
Parodies and references in the show
"The Six Million Rupee Man" - Parody of Six Million Dollar Man.
"Skipinder: The Punjabi Kangaroo" - Parody of Skippy the Bush Kangaroo.
"I'm a Punjabi Girl..." - Parody of Aqua's Barbie Girl song.
"Hindi People" - Parody of Pulp's Common People.
"Club Nirvana" - Parody of Wham!'s Club Tropicana.
"The Marriage Emporium" - Homage to Monty Python's Cheese Shop sketch and Dead Parrot sketch.
"Fawlty Turrets" - Homage to Fawlty Towers.
"The Delhi Tubbies" - Fictional Asian equivalent of the Teletubbies
"They Were The Blacked-Up Men" - Parody of Men In Black.
Other parodies are based on shows such as Animal Hospital (where members of lower castes take the place of the pets) and Rough Guide (where tourists from India visit and make unpleasant remarks about England).

Bibliography
http://www.bbc.co.uk/comedy/goodnessgraciousme
http://en.wikipedia.org/wiki/Bhangra_Man#Recurring_characters

Tuesday, 14 October 2008

Humour in art & cultural projects

Humour in art & cultural projects


The pluralistic societies resulting from globalization of the 1990s produce ever-growing opportunities for artists and viewers to encounter a wide variety of cultures. As well as needing to understand different peoples, cultures and beliefs, individuals are gaining greater awareness of their own cultural backgrounds. Laughter and humor play a substantial role in facilitating cross-cultural understanding, as artists take light-hearted swipes at their own cultures and the communities to which they belong.




The artist and works we found by now are TOOLS we can use to illustrate our ideas that still have to be developped in the frame of our thematic seminar.
Following selection of artists is a pool that will be useful once we know in which direction we want to guide our researches.
We focused on contemporary visual arts only, as it seems to bet he most appropriate tool due to ist interdisciplinarity and because it is experimental & innovative

Hyungkoo Lee
Mauricio Cattalan
Roman Signer
Piero Golia
Gianni Motti
Santiaggo Sierra
Martin Kollar
Martin Zet
Primoz Novak & Nika Oblak
Tamy Ben-Tor
The Blu Noses
Robin Rhode
Sisley Xhafa
Aida Makoto
Jennifer Allora & Guillermo Calzadilla
Carlos Amorales
Tim Lee
Aldo Giannotti & Stefano Giuriati
Jesper Alvaer

We will present more details of the artist’s works during our next meetin on Cyprus.


Further on, we found two probably very useful exhibitions and publications about the topic:
-MORI ART MUSEUM, All About Laughter: Humor in Contemporary Art (2007)
http://www.mori.art.museum/english/contents/laughter/index.html
-Kölnischer Kunsverein: MIGRATION (2000-2006)
http://www.koelnischerkunstverein.de/migration/


For the further work in the thematic seminar it would probably make sense to find a specific case study to focus on, like for example the turkish rooted community in Germany (Berlin?), or the maghrebine one in France (Marseille?), migrants from the very new EU-Countries in Slovenia... etc.

Also, as a remark: with all the interesting research we have to do, and already did, we should keep in mind that our basic subject is/was: Intercultural Dialogue. So, even resarching on humor or/and contemporary art, it still should be connected to cultural diversity, dialogue, migration, living better together, sustainability... ;-P

Nevenka & Suzanne
Larnaca, October 14th

Sunday, 8 June 2008

Hi,
I send you this message to keep in contact with you after this time without connecting to the blog. As I didn´t see any other messages I would like to know how is going the subject for everybody if there is any comment, suggestion.
Best wishes.
Ana

Monday, 26 May 2008

test

Hi,

This is my first test using the blog. Thanks Dafna, Suzanne and Catherine for your useful work. Not many news, firstly I began to look for some bibliography on humour, linked to archaeological heritage, as I told you there has been some publications on that subject and I think I can find there other intereseting bibliography more linked to humour in culture and specifically to humour in my country; second I found a project wich "laughs about" EU bureacucracy . This is its reference:

EU BUREAUCRACY CAN BE FUN

Inspired by the well-known game Monopoly, Europoly is a playful art installation about migration to Europe. Created by Dejan Kaludjerovic and supported by the ECF's grant scheme, the installation reveals different aspects of the European Union: from the enlargement of borders to the opening up or closing down of prospects for both old and new EU citizens.



The game shifts between politics, economics and a more ‘human' dimension, highlighting the delicate balance of choices, risks and decisions in the lives of immigrants. The winner of the game receives Europoly citizenship. A player can obtain this by satisfying all the real bureaucratic requirements needed to obtain citizenship in any EU country, such as possession of a regular working permit or a permanent address certificate. A mix of artistic project and social commentary, Europoly provides no definitive solutions but moves instead among the everyday contradi

http://www.dejankaludjerovic.net/europoly.htm

http://www.europoly.org/


In relation with the European Documents, first that can be a common reference to begin is the Commision Staff working document. Inventory of community actions in the field of culture. the other one is the Ericarts document sharing diversity and although not estrictly European the Agenda 21 for Culture could be interesting considering the local policies in a global perspective.

Please let me know how to upload these documents.

Best wishes.
Ana

My skype name is Ana Mansilla, or my hotmail address anamansillac@hotmail.com

hahaha :-D

hi there ;-P
Suzanne

thank you Dafna

It's my very first step on a blog ....
but I assume that it will not be the last one.
catherine

Welcome to the Humour Blog

Hope we'll all get to have a good laugh as well as work and research

Dafna